Skip to main content

Boutis Round Up


Projects in Progress

Even though the summer was filled with many activities and other types of sewing and quilting, boutis was never far from my mind, and it even found it's way into my hands from time to time. (Which sadly, was not a regular occurrence.) However, I did manage to work on each of the 4 different projects below. Little by little.

1. Le Mireille (design by Francine Born)

"Le Mireille" which is from a kit designed by Francine Born, is my long term study of traditional boutis design and technique. The goal that I have set for myself for this project is to experiment with different threads as well as with a variety of the "boutis sanctioned" stitches. As I work my way through the quilt top, I also hope to do a little research on the symbols and motifs used in the design.

Other then a few spaces intentionally left unstitched for now, the centre motif is complete.


Below is a close up of the stitching so far, showing an outline stitch and a back stitch.


2. Les Capucines (design by Francine Born)

Started in the summer of 2013, on our way home from France, this little piece has since become a traveling companion. Because of it's compact size, it's an easy project to tuck into a small travel bag and work on in airplanes, trains or cars. Progress (dependant on how often I travel) is slow but steady.


The whole piece is being stitched with the back-stitch. Originally the vertical channels around the border were to be just a running stitch, (which speeds up progress) however, it wasn't until I had stitched about a a third of the way around the perimeter with the back stitch that I realized I had not switched stitches. Bummer! Ah well, progress will be a little slower, but other then that, no serious harm done.


3. Boutis Butterfly Pouch - Take 2 (my design)

This is a variation of the previous boutis pouch that I made in the spring. It's the same basic tri-fold design, only a little larger, and with a variation of the motifs.


A few areas will be a highlighted with an outline stitch or a back stitch, but most of the pouch will be stitched using the basic running stitch.


4. Rose Window Boutis (my design)

When working with smaller projects, it's always a problem trying to decide how to finish them. This little 5" x 5"  block was originally intended to be a pin cushion, however, I found it a little too large to be practical.


After considerable humming and hawing, I decided that it would be incorporated into a larger wall hanging. Below it has been set into the background fabric, ready for a little FMQ. More on this project next time.


Throughout the fall and winter,  I will be working on all of these boutis projects and posting individual updates as the work progresses.

Comments

  1. Dziękujemy za wizytę. Dzięki.

    ReplyDelete
  2. Well, you have plenty to do! They are all beautiful, and I can't really choose a favourite. :)

    Your FMQ design is looking very promising there!

    ReplyDelete
    Replies
    1. Thanks. I am really starting to like the combination of boutis and FMQ. It can make a little bitof boutis go a long way.

      Delete
  3. Lovely designs! You are making me want to try boutis. I have done some trapunto while hand quilting, so I guess that is a bit similar.

    ReplyDelete
    Replies
    1. With all the heirloom sewing that you do, boutis would be a very comfortably fit.

      Boutis and trapunto do seem to be very similar, but there are differences that, I'm sure, the ladies of the south of France could point out very handily, but to me, sometimes seem to be quite subtle in certain instances. I'm still working on figuring it all out for myself. I'll let you know if I ever find the answers:)

      Delete

Post a Comment

Popular posts from this blog

The Tristan Quilt at the V & A

On our recent visit to London, one of our first stops was at the Victoria and Albert Museum. Established in 1852 and named for Queen Victoria and Prince Albert, who were strong supporters of it's founding, the museum is a facility that is both educational and cultural, and open to everyone. It is here, in the "Medieval and Renaissance Gallery" that I finally saw the "Tristan Quilt", one of the earliest surviving quilts showing stuffed, corded whitework (known as "Boutis" in France). A Chihuly chandelier hangs in the grand lobby of the Victoria and Albert Museum. Medieval needlework was often a medium for storytelling. It told of wars and conquests, heros and warriors, love won and love lost, etc. Myths and legends were recorded for future generations through the nimble fingers of the artisans. Through the intricately depicted figures stitched into the Tristan Quilt, this classic Norman legend follows Tristan into battle...

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t...

Hawaiian Applique Quilting

While on a family vacation in Honolulu, Hawaii just before Christmas, my daughter and I managed to squeeze in a class teaching the basics of traditional Hawaiian quilting. At the end of the class, we both had a 22" x 22" cushion size Hawaiian Applique quilt ready to stitch. The coral coloured "Ulu" pattern below is my daughter's project.  Traditionally, the ulu is the first quilt made for the home to ensure that there will always be food on the table. The "Ulu" (Breadfruit) pattern, designed by John Serrao. It's the designs of these applique quilts that make Hawaiian quilts unique. Each pattern is individual to the maker of the quilt and symbolizes who they are. Although many of the patterns use a similar motif or symbol, (for example the "Ulu" pattern), when adapted by the quilter, it becomes personal to that quilter and unlike any other version. Ideally, each quilter should create her own design, but beginner's are gi...