Skip to main content

Embroidered Art


...and Silk Threads

One of the advantages of travel is collecting images and ideas that I can use to influence and inspire my designs. Recently, while visiting friends whose art collection reflects their many travels, I was drawn in particular to several pieces in their collection of vintage textiles.

In the crypt of the Basilica of San Isidora de Leon, The Royal Pantheon, in Spain, there is a 12th century fresco on an archway depicting the 12 months of the year and the agricultural labours associated with each month. In medieval times, seasonality was recognized and respected, because it meant survival to another season. With all the disease and wars that were rampant at the time, living to see the next season was not something that could be taken for granted, so the medieval calender became a celebration of sorts.

Purchased in 2005 at the studio of textile artists near the basilica, this piece is a replication of the month of September taken from the fresco, and celebrates the September grape harvest. 

As the background fabric, the artist used old church vestments, exact era unknown, but likely from the 1940's to the 1950's.

The piece is embroidered with a stitch that is unfamiliar to me. It looks like a tiny cord has been couched down, however, a closer look reveals very intricate, individual stitches. Perhaps it is a very tiny stem stitch. If anyone is familiar with this stitch, I would appreciate more information on the technique.

The stitch can best be seen in the gold thread that forms the garment of the farmer. (Zoom in to see the stitch). Various widths of thread were used in the piece to achieve the desired emphasis, but most of the stitches were done with this "corded" technique.

This luxurious Japanese wedding kimono (ca.1920) was purchased in an antique shop in Vancouver in 1981. The intricately embroidered patterns and motifs, are hand stitched with silk as well as gold and silver threads. Just as is the case in French "boutis", symbolism is an important design aspect in Japanese needlework, and in a bridal kimono it would represent characteristics such as long life, fidelity, superior character, strength, etc.

A rolled red hem is often seen in wedding kimonos. Some slight deterioration is beginning to appear on the hem.

Japanese needle artisans, whether embroiderers or quilters, strive for mastery of their technique and stay faithful to the traditional methods and patterns to accurately understand and appreciate the skill.

Japanese embroidery is always inspirational.

Close-up of the kimono. The white on white silk embroidery adds an elegance the design.

This last piece was found in an antique shop in Winnipeg, displayed as a liner under glass in a mahogany tray. Given the title "The Silk Story", beautifully silk-embroidered images illustrate the production of silk, from worm to thread. Believed to be from the 1930's, other then an embroidered image of a spool of "Belding's" thread, not much is known of it's provenance. However, it's another example of skillfully and patiently laid silk threads.   

Any history or background information of this piece would be appreciated.
Although it's not possible to become familiar with all skills and techniques associated with fibre and threads, I believe that an appreciation for them can enrich and enhance the skills that we as textile artisans focus on. Just like a painting hanging on a wall, skillfully crafted fibre art can also be appreciated for it's beauty as well as it's technique. 

Comments

  1. I would send your photo to Mary Corbett, who is usually good about answering questions on stitches. Her blog Needle'n'Thread is in my blog list in the right sidebar on my page. If she doesn't know, one of her readers may!

    The kimono is very beautiful, as so many of them are, and I especially like the history of silk piece. The sheen and colours are fantastic!

    ReplyDelete
    Replies
    1. Hi Monica. I also follow the "Needle 'n Thread" blog/website, but would not have thought to put the question to her. I will follow up on your advice. Thanks!

      Delete
    2. I just checked her website, and wouldn't you know, her post was about Belding Thread. Thanks for the heads-up!

      Delete

Post a Comment

Popular posts from this blog

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t...

Amish Hand Quilting in France with Esther Miller

Esther Miller, was born into an Amish family in the U.S., and now lives in Germany where she has for many years taught the techniques and methods of Amish hand quilting to anyone interested in learning these skills. As a child, she would closely watch as the women of her community worked together on a quilt, and eventually she was rewarded with a needle of her own and encouraged to join the group. Through the years, she has mastered these skills and techniques and now generously shares them with anyone who has a genuine desire to learn. Esther Miller in Ste. Marie-aux-Mines in Alsace France. An example of her own work, Esther brings this intricately and perfectly hand stitched wall quilt to class as inspiration for her students.  Last week, at the "European Meeting of Patchwork" in Ste. Marie-aux-Mines, in Alsace France, www.patchwork-europe.com , I had the privilege of taking a 2 day workshop with Esther. The Amish...

Blocking and Squaring Boutis

The door of her cage has been opened. She is free to fly off and find her destiny. After many months of hand stitching and then many more months of cording, my little "colibri" is ready to set off on her own. As this was my first attempt at designing so large a boutis piece, it was a learning curve. All of the tight swirls, curls and circles are a great deal more difficult and time consuming to cord then are the longer more gentle channels. Maintaining an even tension is absolutely necessary throughout the process, so patience comes in very handy when doing the cording. The process of stitching and cording a work of boutis subjects the fabric to a lot of handling and manipulation that can distort the design. For this reason, once all of the stitching and cording is complete, the boutis must be washed, blocked and squared.  The first step of washing is to remove all traces of the marking pencil as well as any soil that may have collected over the many months of working w...