Skip to main content

Boutis: Hummingbird Gold

With the stitching and cording finished on "Cathedral Boutis Blues", I have started my next boutis design. Whenever I design a project for myself, I like to make it relevant to my world and my experiences, just like every generation of quilters and designers has always done.

Birds have always fascinated me and one of the delights of our balcony garden is the constant flurry of hummingbirds around the 3 feeders my husband faithfully tends. I am thrilled for the opportunity to observe and photograph these delicate creatures at such close range. They have inspired many of my patterns.

There is resolve and focused determination in their ability to hover at the feeder with a steady, stable grace. Perhaps that's the reason I admire them and am drawn to them.  

In a boutis project, narrow channels form the outline of the design. These channels are stitched first, and then individually corded with a cotton yarn, thereby adding relief that highlights the design.
 

 The colours of this project are brighter. Lighter. I'm using gold silk threads in various weights that are stitched onto 2 layers of white cotton batiste.

These 6" medallions from "Hummingbird Gold", which are already stitched, use the same colours, and will be incorporated into this project.

A sister project to "Boutis Blues", "Hummingbird Gold" continues the story of Notre Dame Cathedral portraying an evolution of a restored cathedral as it continues into the century.


Comments

Popular posts from this blog

The Tristan Quilt at the V & A

On our recent visit to London, one of our first stops was at the Victoria and Albert Museum. Established in 1852 and named for Queen Victoria and Prince Albert, who were strong supporters of it's founding, the museum is a facility that is both educational and cultural, and open to everyone. It is here, in the "Medieval and Renaissance Gallery" that I finally saw the "Tristan Quilt", one of the earliest surviving quilts showing stuffed, corded whitework (known as "Boutis" in France). A Chihuly chandelier hangs in the grand lobby of the Victoria and Albert Museum. Medieval needlework was often a medium for storytelling. It told of wars and conquests, heros and warriors, love won and love lost, etc. Myths and legends were recorded for future generations through the nimble fingers of the artisans. Through the intricately depicted figures stitched into the Tristan Quilt, this classic Norman legend follows Tristan into battle...

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t...

Hawaiian Applique Quilting

While on a family vacation in Honolulu, Hawaii just before Christmas, my daughter and I managed to squeeze in a class teaching the basics of traditional Hawaiian quilting. At the end of the class, we both had a 22" x 22" cushion size Hawaiian Applique quilt ready to stitch. The coral coloured "Ulu" pattern below is my daughter's project.  Traditionally, the ulu is the first quilt made for the home to ensure that there will always be food on the table. The "Ulu" (Breadfruit) pattern, designed by John Serrao. It's the designs of these applique quilts that make Hawaiian quilts unique. Each pattern is individual to the maker of the quilt and symbolizes who they are. Although many of the patterns use a similar motif or symbol, (for example the "Ulu" pattern), when adapted by the quilter, it becomes personal to that quilter and unlike any other version. Ideally, each quilter should create her own design, but beginner's are gi...