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Showing posts with the label QuiltExpo

Alsace Quilts

A quilt show is a great place to be inspired and to celebrate our craft with other artisans. Spread throughout the town of Ste. Marie-Aux-Mines, as well as 2 other nearby towns, this show did not disappoint in either way. There were many fantastic quilts to marvel at, and even more fantastic people to meet and share ideas with. When at these shows, time is always at a premium, so I prioritized the exhibits that I hoped to see and did my best to get there. Here are a few of the highlights. The first exhibit we saw were the Canadian quilts. Just as with the Amish quilts, a church acted as the gallery. Churches make great venues for displaying quilts. Canadian quilts under the stained glass windows made for an interesting presentation. "Accumulate" by Amanda McGavour, Toronto, Ontario "Triumph of the Hexagon" by Jeannie Jenkins of Toronto, Ontario Libby Lehman is very well known throughout the quilt world for her free motion mach...

Amish Quilts in Ste.Marie-Aux-Mines, France

Tucked away in the picturesque Val d'Argent in Alsace France, Ste. Marie-Aux-Mines hosts the annual European Patchwork Meeting. As the name suggests, Ste. Marie-Aux -Mines was established as a mining town, however, it also had a thriving textile industry that was famous worldwide.  And it was in this unpretentious little town, hidden away in the valley of the Vosges Massif, led by Jacob Amman, that the Amish movement was born in 1693. In view of this history, this is the perfect place for a quilt show, which celebrates artistry with fabrics, and in particular, for an exhibition of Amish Quilts. Driving towards Ste. Marie-Aux-Mines in the foothills of the Vosges Massif. A quiet little village church on the outskirts of town. A profusion of  brightly coloured flowers burst out of window boxes, adding colour and charm to these medieval buildings. Throughout the town, a variety of buildings had been transformed in...

Amish Hand Quilting in France with Esther Miller

Esther Miller, was born into an Amish family in the U.S., and now lives in Germany where she has for many years taught the techniques and methods of Amish hand quilting to anyone interested in learning these skills. As a child, she would closely watch as the women of her community worked together on a quilt, and eventually she was rewarded with a needle of her own and encouraged to join the group. Through the years, she has mastered these skills and techniques and now generously shares them with anyone who has a genuine desire to learn. Esther Miller in Ste. Marie-aux-Mines in Alsace France. An example of her own work, Esther brings this intricately and perfectly hand stitched wall quilt to class as inspiration for her students.  Last week, at the "European Meeting of Patchwork" in Ste. Marie-aux-Mines, in Alsace France, www.patchwork-europe.com , I had the privilege of taking a 2 day workshop with Esther. The Amish...

"Boutis" is in the Eye of the Beholder

France, like many other European countries, claims a rich heritage and tradition in "needle arts". Many new sewing techniques and fabrics from the East found their way to France through the port city of Marseilles on the Meditteranean coast. The women from 17th century Marseilles and the lower regions of Provence and Languedoc, became very talented needle workers and were well known for their meticulous workmanship. It is these women that the developed the technique known as "boutis". "Boutis", as I understand it, is two pieces of fabric sewn together in channels, forming patterns. These channels are later threaded with cording, giving relief to the design. True "Boutis" ia always hand sewn, and when held up to the light lets the light pass through. (There are a many terms for "quilting" in France, and each term describes a different type of quilting. I am only beginning to understand the different techniques and terms, and hope that...

Indigo and Shizuko Kuroha

Walking into the "room" that showcased the quilts and wearable art of Shizuko Kuroha, I felt welcomed into a world of peace and harmony. There is a quiet elegance to her work. Although her colour palette revolves mainly around indigos, it is astonishing to see the variety of shades that can be obtained from the one basic colour. Her quilts have a fluidity and 3-D quality to them that is obtained by having mastered the palette of indigo. If I may take a quote from her book, "Indigo & Sarasa", (published by "Quiltmania Magazine"), "What counts is the blend of these fabrics, how they co-exist, if they are in harmony." Shizuko Kuroha has found the way to express this in her work. The photos in order are: - Shizuko Kuroha inscribing a book I bought for my daughter - A few of her quilts on display

Amazing Applique by Yoko Saito

The quilt exposition in Nantes "Pour L'amour du Fil" was filled with a number of highlights. Certainly one of the more memorable experiences was seeing the works of Yoko Saito in person. "Elegant" is the word that best describes Yoko Saito's quilts. Although her palette is neutral, the lights and darks play very well together to create a perfect balance to the quilt. To say that the applique is amazing is an understatement. The perfectly formed 1/4" circles and the tiny leaves and stems are inspirational. And of course, the hand quilting is perfect. For the final touch, she uses embroidery as adornment in much the same way that the perfect pair of earrings complete the look of the little black dress. The opportunity to see her quilts in person has been truly inspirational. The photos in order: - Yoko Saito in her booth on the floor of the show - "Pointsettia" - by Yoko Saito - "Spring of Sweden" close -up - by Yoko Saito

"Pour L'Amour du Fil" (For the Love of Thread)

The language of thread and fibre is clearly an international language. Recently I had the pleasure of attending "Pour L'Amour du Fil" (For the Love of Thread), an international exhibition of quilts and needlework, held in Nantes, on the westwern coast of France, from April 27-30. Having only 2 days at the exposition, it was very difficult for me to choose which events and courses to partcipate in. There were so many excellent opportunities, but only limited time. After some deliberation, I chose to spend one day in a course learning about the traditional technique of "boutis" with Hubert Valeri, and the other day I chose to spend enjoying the gallery of quilts on display by some very talented quilters and needleworkers. Among the quilters who had their work on display were the "Piece O' Cake" gals, Linda Jenkins and Becky Goldsmith. The room showcasing their work was energized with a brilliant vitality. Jan Patek was also there with her ...