"Rose Window Boutis: Finished" (Part 3)

Light at the end of the Boutis

Although the actual boutis piece is only the small 5" x 5" square in the center of the rose window, it was the springboard for a larger "cathedral tower" wall hanging and was central to it's development. The piece combines 2 of my favourite stitching techniques; needlework by hand and free motion quilting with machine.

Tip to base, the finished hanging measures 31" x 16". Held up against the light, the boutis is illuminated from the back and becomes the focal point of the piece.

The wall hanging consists of 3 sections.

The rose window, (on the white batiste), takes center stage with the boutis it's main focus and the FMQ providing the frame.

Front of the work, highlighting the boutis square.

Back of the work

The complete rose window has been hand appliqued into a light grey fabric, representative of the carved stone often surrounding a cathedral window.

Details of the roof line as well as the surrounding stone tower.

Machine quilting on a darker grey cotton creates the roof line as well as the surrounding stone work. (see above)

Straight line FMQ (see my previous post) has partitioned the lower part of the tower into three smaller towers. (below)

Close up of the lower part of the wall hanging

Completed front

Completed back

I quite enjoy combining different techniques, such as hand stitched boutis and FMQ, in the same project and I know there will be more like this project in my future.

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t

Amish Hand Quilting in France with Esther Miller

Esther Miller, was born into an Amish family in the U.S., and now lives in Germany where she has for many years taught the techniques and methods of Amish hand quilting to anyone interested in learning these skills. As a child, she would closely watch as the women of her community worked together on a quilt, and eventually she was rewarded with a needle of her own and encouraged to join the group. Through the years, she has mastered these skills and techniques and now generously shares them with anyone who has a genuine desire to learn. Esther Miller in Ste. Marie-aux-Mines in Alsace France. An example of her own work, Esther brings this intricately and perfectly hand stitched wall quilt to class as inspiration for her students. Last week, at the "European Meeting of Patchwork" in Ste. Marie-aux-Mines, in Alsace France, www.patchwork-europe.com , I had the privilege of taking a 2 day workshop with Esther. The Amish quilting method requires a free-standing simple

Blocking and Squaring Boutis

The door of her cage has been opened. She is free to fly off and find her destiny. After many months of hand stitching and then many more months of cording, my little "colibri" is ready to set off on her own. As this was my first attempt at designing so large a boutis piece, it was a learning curve. All of the tight swirls, curls and circles are a great deal more difficult and time consuming to cord then are the longer more gentle channels. Maintaining an even tension is absolutely necessary throughout the process, so patience comes in very handy when doing the cording. The process of stitching and cording a work of boutis subjects the fabric to a lot of handling and manipulation that can distort the design. For this reason, once all of the stitching and cording is complete, the boutis must be washed, blocked and squared. The first step of washing is to remove all traces of the marking pencil as well as any soil that may have collected over the many months of working w

Seams French

Search This Blog