Saffron Boutis Window Shade

This saffron window shade is the second version of my Parisian rose window boutis. As in the first wall hanging, this one is also framed with free motion quilting.

When I originally designed the pattern, I made two versions of it. One on a white batiste, which became a wall hanging, and the second on this ochre coloured batiste.

Using the same technique of reverse applique for finishing, I framed it with a 1/2 inch brown border before being setting into the background.

Because this piece will be illuminated from behind, to do it justice I felt it should have another section of boutis, where light from the window could work it's magic. I made a smaller version of the same pattern, using only the center rosette. This was also framed with the brown border.

This done, I felt it needed even more definition so I added another saffron border before placing it into the lighter yellow background fabric which would be finished with machine quilting.

With the top completed, the batting was placed on the wrong side, keeping the areas beneath the boutis free. To keep the batting from shifting during construction, I basted it into place close to the edge of the circle before layering the backing fabric on top.

Keeping the boutis exposed, the backing fabric was centered over the boutis and hand appliqued into place.

The back of the finished window shade, measuring 14" x 25", shows both areas of the boutis exposed.

And here at last with front side up, (below), the completed shade is hanging in a window allowing the light to work it's magic. As you will notice, the lower rosette was stitched onto a different type of cotton batiste. Although the 2 fabrics looked almost identical in colour as I was working with them, the difference in quality became very apparent against the window. The top rosette was stitched on a better quality, finer fabric than the lower rosette. But that having been said, I don't mind the richer, deeper gold that shines through the lower boutis.

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t

Amish Hand Quilting in France with Esther Miller

Esther Miller, was born into an Amish family in the U.S., and now lives in Germany where she has for many years taught the techniques and methods of Amish hand quilting to anyone interested in learning these skills. As a child, she would closely watch as the women of her community worked together on a quilt, and eventually she was rewarded with a needle of her own and encouraged to join the group. Through the years, she has mastered these skills and techniques and now generously shares them with anyone who has a genuine desire to learn. Esther Miller in Ste. Marie-aux-Mines in Alsace France. An example of her own work, Esther brings this intricately and perfectly hand stitched wall quilt to class as inspiration for her students. Last week, at the "European Meeting of Patchwork" in Ste. Marie-aux-Mines, in Alsace France, www.patchwork-europe.com , I had the privilege of taking a 2 day workshop with Esther. The Amish quilting method requires a free-standing simple

Blocking and Squaring Boutis

The door of her cage has been opened. She is free to fly off and find her destiny. After many months of hand stitching and then many more months of cording, my little "colibri" is ready to set off on her own. As this was my first attempt at designing so large a boutis piece, it was a learning curve. All of the tight swirls, curls and circles are a great deal more difficult and time consuming to cord then are the longer more gentle channels. Maintaining an even tension is absolutely necessary throughout the process, so patience comes in very handy when doing the cording. The process of stitching and cording a work of boutis subjects the fabric to a lot of handling and manipulation that can distort the design. For this reason, once all of the stitching and cording is complete, the boutis must be washed, blocked and squared. The first step of washing is to remove all traces of the marking pencil as well as any soil that may have collected over the many months of working w

Seams French

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