Scrap Buster IV: Redwork Strip Trees

My 4th and last scrap quilt of the year uses up most of the reds and neutrals in the scrap stash, much of which had already been precut into strips.

Early in the year, soon after I started this adventure of improv quilting with scraps and stash reduction, I realized how seriously out of my comfort zone the exercise was taking me. To the rescue came several books. Among them is Alexandra Ledgerwood's book, "Improvising Tradition" which focuses on using precut strips. By clarifying her process of "pairing improvised elements and techniques with traditional designs and methods", she has calmed some of the fear and chaos that improv quilting brings to my mind.

Because so much of my scrap stash is precut strips, I found the book particularly appealing. Her pattern "Paper and Plums" with the 12 1/2 inch equilateral triangles was perfect for all of the red and neutral strips in the stash.

The strips are sewn into 12 1/2 inch widths and then cut at precise 60 degree angles. That's a lot of stripping.

I did have to dip into the larger stash to top up the strips, but for the most part, these strips were all left overs from previous projects. Looking at the red blocks now, I'm not crazy about the toile de jouys in the mix, (I find the light background quite jarring), but because the main purpose of this exercise is to use up all scraps, they went into the blocks.

The quilt requires 32 full triangles in red as well as 6 half triangles. I'm about half way there.

The neutral triangles are completed; 31 full and 8 half.

My cumulative block count for the year is 345 to date, which leaves 21 blocks to complete before year's end. Here's hoping that I find the time!

In the meantime, we're battening down the hatches and hunkering down for a second weather system moving in overnight and bringing in colder temps and more snow. Earlier in the week, this was taken from our balcony.

This amount of snowfall is unusual for this town and Vancouver really slows down with any amount of snow, so I might just get an extra day at the machine this week.

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t

Amish Hand Quilting in France with Esther Miller

Esther Miller, was born into an Amish family in the U.S., and now lives in Germany where she has for many years taught the techniques and methods of Amish hand quilting to anyone interested in learning these skills. As a child, she would closely watch as the women of her community worked together on a quilt, and eventually she was rewarded with a needle of her own and encouraged to join the group. Through the years, she has mastered these skills and techniques and now generously shares them with anyone who has a genuine desire to learn. Esther Miller in Ste. Marie-aux-Mines in Alsace France. An example of her own work, Esther brings this intricately and perfectly hand stitched wall quilt to class as inspiration for her students. Last week, at the "European Meeting of Patchwork" in Ste. Marie-aux-Mines, in Alsace France, www.patchwork-europe.com , I had the privilege of taking a 2 day workshop with Esther. The Amish quilting method requires a free-standing simple

Blocking and Squaring Boutis

The door of her cage has been opened. She is free to fly off and find her destiny. After many months of hand stitching and then many more months of cording, my little "colibri" is ready to set off on her own. As this was my first attempt at designing so large a boutis piece, it was a learning curve. All of the tight swirls, curls and circles are a great deal more difficult and time consuming to cord then are the longer more gentle channels. Maintaining an even tension is absolutely necessary throughout the process, so patience comes in very handy when doing the cording. The process of stitching and cording a work of boutis subjects the fabric to a lot of handling and manipulation that can distort the design. For this reason, once all of the stitching and cording is complete, the boutis must be washed, blocked and squared. The first step of washing is to remove all traces of the marking pencil as well as any soil that may have collected over the many months of working w

Seams French

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