Skip to main content

Boutis: Hummingbird Gold

With the stitching and cording finished on "Cathedral Boutis Blues", I have started my next boutis design. Whenever I design a project for myself, I like to make it relevant to my world and my experiences, just like every generation of quilters and designers has always done.

Birds have always fascinated me and one of the delights of our balcony garden is the constant flurry of hummingbirds around the 3 feeders my husband faithfully tends. I am thrilled for the opportunity to observe and photograph these delicate creatures at such close range. They have inspired many of my patterns.

There is resolve and focused determination in their ability to hover at the feeder with a steady, stable grace. Perhaps that's the reason I admire them and am drawn to them.  

In a boutis project, narrow channels form the outline of the design. These channels are stitched first, and then individually corded with a cotton yarn, thereby adding relief that highlights the design.
 

 The colours of this project are brighter. Lighter. I'm using gold silk threads in various weights that are stitched onto 2 layers of white cotton batiste.

These 6" medallions from "Hummingbird Gold", which are already stitched, use the same colours, and will be incorporated into this project.

A sister project to "Boutis Blues", "Hummingbird Gold" continues the story of Notre Dame Cathedral portraying an evolution of a restored cathedral as it continues into the century.


Comments

Popular posts from this blog

Boutis: Traditional French Needlework

" Piqûre de Marseilles" or "Boutis" is a traditional French hand stitched and corded needlework technique, which uses embroidery stitches to create intricate channels that will later be stuffed with yarn, thereby creating a raised design with three layers. It's origins, and it's name, can be traced to the port of Marseilles in southern France to the 15th century. Traditional boutis was a technique invented to embellish otherwise plain white cotton with intricately patterned channels that would later be stuffed with a plump white yarn to give it relief. The resulting corded whitework created an elegant, embossed textile that was much sought after. Not only was it aesthetically appealing, but it also provided warmth and absorbency, so could be used for bed coverings, toilette linens (like towels), clothing items, home decor, etc. The first two photos below are from the collection of Mme. Monique Alphand, a well known French expert and collector of antique t...

Blocking and Squaring Boutis

The door of her cage has been opened. She is free to fly off and find her destiny. After many months of hand stitching and then many more months of cording, my little "colibri" is ready to set off on her own. As this was my first attempt at designing so large a boutis piece, it was a learning curve. All of the tight swirls, curls and circles are a great deal more difficult and time consuming to cord then are the longer more gentle channels. Maintaining an even tension is absolutely necessary throughout the process, so patience comes in very handy when doing the cording. The process of stitching and cording a work of boutis subjects the fabric to a lot of handling and manipulation that can distort the design. For this reason, once all of the stitching and cording is complete, the boutis must be washed, blocked and squared.  The first step of washing is to remove all traces of the marking pencil as well as any soil that may have collected over the many months of working w...

Hawaiian Applique Quilting

While on a family vacation in Honolulu, Hawaii just before Christmas, my daughter and I managed to squeeze in a class teaching the basics of traditional Hawaiian quilting. At the end of the class, we both had a 22" x 22" cushion size Hawaiian Applique quilt ready to stitch. The coral coloured "Ulu" pattern below is my daughter's project.  Traditionally, the ulu is the first quilt made for the home to ensure that there will always be food on the table. The "Ulu" (Breadfruit) pattern, designed by John Serrao. It's the designs of these applique quilts that make Hawaiian quilts unique. Each pattern is individual to the maker of the quilt and symbolizes who they are. Although many of the patterns use a similar motif or symbol, (for example the "Ulu" pattern), when adapted by the quilter, it becomes personal to that quilter and unlike any other version. Ideally, each quilter should create her own design, but beginner's are gi...